Song Watkins Park

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Song Watkins Park

G-CADD Exhibition View 1

G-CADD Exhibition View 1

G-CADD Exhibition View 2

G-CADD Exhibition View 2

G-CADD Exhibition View 7

G-CADD Exhibition View 7

G-CADD Exhibition View 1

G-CADD Exhibition View 1

1/7

Hi friends!
My painting Outage will be showing in the group exhibition Saṃsāra, curated by @mr.brentnakamoto at @bunkerprojects, with support from @jadedpgh alongside amazing AAPI artists.

The opening is tonight from 6–9 PM. I wish I could be there in person, but if you’re in the Pittsburgh area, please go check it out! 🖤✨

Hi friends!
My painting Outage will be showing in the group exhibition Saṃsāra, curated by @mr.brentnakamoto at @bunkerprojects, with support from @jadedpgh alongside amazing AAPI artists.

The opening is tonight from 6–9 PM. I wish I could be there in person, but if you’re in the Pittsburgh area, please go check it out! 🖤✨

Ursa Major, 2026, oil on linen, 32 x 40”/ 81.28 x 101.6cm

Ursa Major, 2026, oil on linen, 32 x 40”/ 81.28 x 101.6cm

🔥🔥🔥Opening February 6🔥🔥🔥 Stuck in Saṃsāra 🔥🔥🔥
🔥🔥🔥
Taking inspiration from the Lotus Sutra, this exhibition reimagines the Parable of the Burning House, one of the most important stories from the sutra. The story describes a vast house, owned by a very rich man, which suddenly catches fire. The man’s children are so busy playing that they do not notice or believe that the house is burning. In order to save them, he promises to give them his riches if they leave the house. In the story, the burning house represents the world of suffering—or samsara—and the man’s riches represent the Buddha’s teachings of liberation—nirvana. However, the sutra also teaches that this is just a story. In truth, there is no way out of the house. We can only find liberation within the flames. The world of suffering is the world of liberation—to awaken to suffering is liberation itself.
🔥🔥🔥
Central to the story, and to the exhibition, is the image of fire in its many forms. Fire is destruction and death, but it’s also energy, purification, rebirth, life itself. Flames destroy but they also bloom. Alongside fire, the works in the exhibition also explore themes of attention and awareness, sexuality and desire, nature, beauty, ritual, devotion, and grief. The exhibition seeks to present these images in a way that challenges conventional dualities, including the separation between suffering and liberation.
🔥🔥🔥
The exhibition features ten AAPI artists from around the country, including Pittsburgh, Los Angeles, New York, Chicago, and St. Louis, working in painting, drawing, printmaking, ceramics, sculpture, and video. Exhibited artists are Christian Bañez, Martin Castro, Jon Chao, Anne Chen, Eriko Hattori, Marius Keo Marjolin, Brent Nakamoto, Anthony Park Kascak, Sara Tang, and Song Watkins Park.
🔥🔥🔥
Stuck in Saṃsāra, is produced with support from @jadedpgh and will be on view at @bunkerprojects from February 6-March 22.
🔥🔥🔥
@christianbanez_
@_erikohattori_
@saratang_drawmein
moth_songg
@anthonykascak_
@songwatkinspark
@naturalrealnotfake
@tofu.twink

Reposted from the curator @mr.brentnakamoto

🔥🔥🔥Opening February 6🔥🔥🔥 Stuck in Saṃsāra 🔥🔥🔥
🔥🔥🔥
Taking inspiration from the Lotus Sutra, this exhibition reimagines the Parable of the Burning House, one of the most important stories from the sutra. The story describes a vast house, owned by a very rich man, which suddenly catches fire. The man’s children are so busy playing that they do not notice or believe that the house is burning. In order to save them, he promises to give them his riches if they leave the house. In the story, the burning house represents the world of suffering—or samsara—and the man’s riches represent the Buddha’s teachings of liberation—nirvana. However, the sutra also teaches that this is just a story. In truth, there is no way out of the house. We can only find liberation within the flames. The world of suffering is the world of liberation—to awaken to suffering is liberation itself.
🔥🔥🔥
Central to the story, and to the exhibition, is the image of fire in its many forms. Fire is destruction and death, but it’s also energy, purification, rebirth, life itself. Flames destroy but they also bloom. Alongside fire, the works in the exhibition also explore themes of attention and awareness, sexuality and desire, nature, beauty, ritual, devotion, and grief. The exhibition seeks to present these images in a way that challenges conventional dualities, including the separation between suffering and liberation.
🔥🔥🔥
The exhibition features ten AAPI artists from around the country, including Pittsburgh, Los Angeles, New York, Chicago, and St. Louis, working in painting, drawing, printmaking, ceramics, sculpture, and video. Exhibited artists are Christian Bañez, Martin Castro, Jon Chao, Anne Chen, Eriko Hattori, Marius Keo Marjolin, Brent Nakamoto, Anthony Park Kascak, Sara Tang, and Song Watkins Park.
🔥🔥🔥
Stuck in Saṃsāra, is produced with support from @jadedpgh and will be on view at @bunkerprojects from February 6-March 22.
🔥🔥🔥
@christianbanez_
@_erikohattori_
@saratang_drawmein
moth_songg
@anthonykascak_
@songwatkinspark
@naturalrealnotfake
@tofu.twink

Reposted from the curator @mr.brentnakamoto

I’ve officially started my residency at the @kranzbergarts ✨
So grateful to be doing this alongside two amazing cohorts: @manakins_art @hayveyah

It’s an 18-month residency, and it’s only been a week, but I’m already so excited to work in the studio and fully immersed in the work.

I’ll keep you posted 🤍

I’ve officially started my residency at the @kranzbergarts ✨
So grateful to be doing this alongside two amazing cohorts: @manakins_art @hayveyah

It’s an 18-month residency, and it’s only been a week, but I’m already so excited to work in the studio and fully immersed in the work.

I’ll keep you posted 🤍

Ursa Minor, 2026, oil on linen, 16 x 20”/ 40.64 x 50.8cm

Ursa Minor, 2026, oil on linen, 16 x 20”/ 40.64 x 50.8cm

Birthmark 2, 2026, oil on linen, 38 x 50”/ 96.52x127cm

Birthmark 2, 2026, oil on linen, 38 x 50”/ 96.52x127cm

Birthmark, 2025, oil on linen, 38 x 50”/ 96.52x127cm

Birthmark, 2025, oil on linen, 38 x 50”/ 96.52x127cm

I’m so honored to be featured as the front cover artist for @newvisionarymag Issue 16. My work Dream is the cover art for this issue.

In each issue, you’ll find exclusive artist interviews, a curated selection of featured artwork, highlighted exhibitions, art career resources, studio visits, and more.

Huge thanks to everyone who made this possible—the New Visionary Magazine team, and Issue 16 curator @_johnnythornton of @artsgowanus

You can order a copy—link in my bio 📖💗

I’m so honored to be featured as the front cover artist for @newvisionarymag Issue 16. My work Dream is the cover art for this issue.

In each issue, you’ll find exclusive artist interviews, a curated selection of featured artwork, highlighted exhibitions, art career resources, studio visits, and more.

Huge thanks to everyone who made this possible—the New Visionary Magazine team, and Issue 16 curator @_johnnythornton of @artsgowanus

You can order a copy—link in my bio 📖💗

Looking back at 2025 ✨

Sharing paintings I made this year.
Thankful for the time, space, and support that allowed these works to exist. Grateful for this year and looking forward to what 2026 holds 💗

These paintings are ordered chronologically.

1. Dream, 2025, oil on linen, 54x40” / 137.16 x 101.6cm

2. History, 2025, oil on linen, 40x54” / 137.16 x 101.6cm

3. Fate, 2025, oil on linen, 54x40” / 137.16 x 101.6cm

4. Nightmares, 2025, oil on linen, 40x32” / 101.6 x 81.28 cm

5. Wish I were who I am in your eyes, 2025,
oil on linen, 8x11” / 20.32 x 27.94 cm

6. Black Iris, 2025, oil on linen, 16x18” / 40.64 x 45.72 cm, 2025

7. Driftwood, 2025, oil on linen, 46 x 46” / 116.84 x 116.84cm

8. Prussian Blue Gaze, 2025, oil on linen, 8x11” / 20.32 x 27.94 cm

9. Memento Mori, 2025, oil on linen, 48 x 48”/ 121.92 x 121.92cm

10. Balance, 2025, oil on linen, 8x8” / 20.32 x 20.32cm

11. Quinacridone Magenta Gaze, 2025, oil on linen, 8x11” / 20.32 x 27.94 cm

12. Baby Face, 2025, oil on linen, 10 x 10” / 25.4 x 25.4cm

13. Baby Teeth, 2025, oil on linen, 8x8” / 20.32 x 20.32cm

14. Hard to Find, 2025, oil on linen, 8x8” / 20.32 x 20.32cm

15. Phytoncide, 2025, oil on linen, 24 x 24”/ 60.96 x 60.96cm

16. Outage Part 1, 2025, oil on linen, 14x20” / 35.56x50.8cm

17. Outage Part 2, 2025, oil on linen, 14x20” / 35.56x50.8cm

18. Scrutiny, 2025, oil on linen, 14 x 11”/ 35.56 x 27.94

Looking back at 2025 ✨

Sharing paintings I made this year.
Thankful for the time, space, and support that allowed these works to exist. Grateful for this year and looking forward to what 2026 holds 💗

These paintings are ordered chronologically.

1. Dream, 2025, oil on linen, 54x40” / 137.16 x 101.6cm

2. History, 2025, oil on linen, 40x54” / 137.16 x 101.6cm

3. Fate, 2025, oil on linen, 54x40” / 137.16 x 101.6cm

4. Nightmares, 2025, oil on linen, 40x32” / 101.6 x 81.28 cm

5. Wish I were who I am in your eyes, 2025,
oil on linen, 8x11” / 20.32 x 27.94 cm

6. Black Iris, 2025, oil on linen, 16x18” / 40.64 x 45.72 cm, 2025

7. Driftwood, 2025, oil on linen, 46 x 46” / 116.84 x 116.84cm

8. Prussian Blue Gaze, 2025, oil on linen, 8x11” / 20.32 x 27.94 cm

9. Memento Mori, 2025, oil on linen, 48 x 48”/ 121.92 x 121.92cm

10. Balance, 2025, oil on linen, 8x8” / 20.32 x 20.32cm

11. Quinacridone Magenta Gaze, 2025, oil on linen, 8x11” / 20.32 x 27.94 cm

12. Baby Face, 2025, oil on linen, 10 x 10” / 25.4 x 25.4cm

13. Baby Teeth, 2025, oil on linen, 8x8” / 20.32 x 20.32cm

14. Hard to Find, 2025, oil on linen, 8x8” / 20.32 x 20.32cm

15. Phytoncide, 2025, oil on linen, 24 x 24”/ 60.96 x 60.96cm

16. Outage Part 1, 2025, oil on linen, 14x20” / 35.56x50.8cm

17. Outage Part 2, 2025, oil on linen, 14x20” / 35.56x50.8cm

18. Scrutiny, 2025, oil on linen, 14 x 11”/ 35.56 x 27.94

Outage, 2025, oil on linen, 22x30” / 55.88x76.2 cm

Outage, 2025, oil on linen, 22x30” / 55.88x76.2 cm

Scrutiny, 2025, oil on linen, 14 x 11”/ 35.56 x 27.94 cm

Scrutiny, 2025, oil on linen, 14 x 11”/ 35.56 x 27.94 cm

Outage part2, 2025, oil on linen, 11x20” / 27.94x50.8cm

Outage part2, 2025, oil on linen, 11x20” / 27.94x50.8cm

Outage part1, 2025, oil on linen, 11x20” / 27.94x50.8cm

Outage part1, 2025, oil on linen, 11x20” / 27.94x50.8cm

Phytoncide, 2025, oil on linen, 24 x 24”/ 60.96 x 60.96”

Phytoncide, 2025, oil on linen, 24 x 24”/ 60.96 x 60.96”

Hey friends! I’m excited to share that my piece Hydroxyzine will be displayed in subway stations across Manhattan all November. If you’re in NYC, keep an eye out for my painting in the stations! This project is curated by @visionaryprojectsnyc 💗🚊

The piece is also for sale — just check the Visionary Projects directory link in my bio!

Hey friends! I’m excited to share that my piece Hydroxyzine will be displayed in subway stations across Manhattan all November. If you’re in NYC, keep an eye out for my painting in the stations! This project is curated by @visionaryprojectsnyc 💗🚊

The piece is also for sale — just check the Visionary Projects directory link in my bio!

My painting Black Iris is currently on view at @ddaatteelliinnee in Denver, alongside works by some incredible artists, curated by @639mph

In this piece, I was thinking about the juxtaposition of the human body and manmade objects, and how one reflects onto the other. While I was taking the reference photo, the composition naturally echoed Georgia O’Keeffe’s Black Iris, and the color palette was inspired by Radiohead’s No Surprises music video.

If you’re in Denver, I’d love for you to check it out!

🖼️Black Iris
2025
Oil on linen
16x18”
40.64x45.72 cm

My painting Black Iris is currently on view at @ddaatteelliinnee in Denver, alongside works by some incredible artists, curated by @639mph

In this piece, I was thinking about the juxtaposition of the human body and manmade objects, and how one reflects onto the other. While I was taking the reference photo, the composition naturally echoed Georgia O’Keeffe’s Black Iris, and the color palette was inspired by Radiohead’s No Surprises music video.

If you’re in Denver, I’d love for you to check it out!

🖼️Black Iris
2025
Oil on linen
16x18”
40.64x45.72 cm

☘️🌹My painting Imposter is currently on view @1800_g_cadd through 10/11.

This was the very first painting in this body of work. I was going through a big life shift and felt an urgency to understand myself again. I had taken a break from making art because I didn’t feel honest in my work anymore, and that distance made even walking into the studio feel intimidating.

So I set one clear goal for this piece: to be honest with my work, with myself, and with whoever would see it. I painted myself nude as a way to show vulnerability and reclaim a sense of autonomy and power. I was thinking about imposter syndrome as both an artist and educator, and a childhood memory came back to me—me and my friends putting rose thorns on our noses pretending to be rhinos. Somehow that fear I was carrying started to feel illogical and almost humorous in contrast.

In the composition, I played with the relationship between the man-made (the desk), the human body (myself), and nature (the background). I genuinely had fun painting this, and after a year with this series, I’ve never felt more connected to my studio, my work, and my audience.

🖼️Imposter
2024
Oil on linen
24x24”
60.96x60.96 cm

#painting #contemporaryart #figure #oilpainting #selfportrait

☘️🌹My painting Imposter is currently on view @1800_g_cadd through 10/11.

This was the very first painting in this body of work. I was going through a big life shift and felt an urgency to understand myself again. I had taken a break from making art because I didn’t feel honest in my work anymore, and that distance made even walking into the studio feel intimidating.

So I set one clear goal for this piece: to be honest with my work, with myself, and with whoever would see it. I painted myself nude as a way to show vulnerability and reclaim a sense of autonomy and power. I was thinking about imposter syndrome as both an artist and educator, and a childhood memory came back to me—me and my friends putting rose thorns on our noses pretending to be rhinos. Somehow that fear I was carrying started to feel illogical and almost humorous in contrast.

In the composition, I played with the relationship between the man-made (the desk), the human body (myself), and nature (the background). I genuinely had fun painting this, and after a year with this series, I’ve never felt more connected to my studio, my work, and my audience.

🖼️Imposter
2024
Oil on linen
24x24”
60.96x60.96 cm

#painting #contemporaryart #figure #oilpainting #selfportrait

I can’t believe this is the last week of my show Folklore @1800_g_cadd ! I’m so grateful for the opportunity and for everyone who came by and supported me along the way. 💛

This painting, Fate, is part of the exhibition. The gallery will be open this Saturday from 1–4pm (or by appointment). I’ll be there on Saturday come say hi! ✨

🖼️Fate
2025
Oil on Linen
54x40”
137.16x101.6 cm

#fate #gcadd #oilpainting #figurepainting

I can’t believe this is the last week of my show Folklore @1800_g_cadd ! I’m so grateful for the opportunity and for everyone who came by and supported me along the way. 💛

This painting, Fate, is part of the exhibition. The gallery will be open this Saturday from 1–4pm (or by appointment). I’ll be there on Saturday come say hi! ✨

🖼️Fate
2025
Oil on Linen
54x40”
137.16x101.6 cm

#fate #gcadd #oilpainting #figurepainting

🌸💗My painting Folklore is currently on view at the exhibition Folklore @1800_g_cadd

If you haven’t seen it in person, the gallery is open today from 1–4pm, and I’ll be there :)

📍 G-CADD: 1822 State Street, Granite City, IL
🗓️ On view through 10/11

🖼️Folklore
Oil on linen
16x16”
40.64x40.64 cm
2024

#folklore #figurepaintings #crane #stlart #pink

🌸💗My painting Folklore is currently on view at the exhibition Folklore @1800_g_cadd

If you haven’t seen it in person, the gallery is open today from 1–4pm, and I’ll be there :)

📍 G-CADD: 1822 State Street, Granite City, IL
🗓️ On view through 10/11

🖼️Folklore
Oil on linen
16x16”
40.64x40.64 cm
2024

#folklore #figurepaintings #crane #stlart #pink

From Sept 11–17, I joined the Cuttyhunk Island Fall Residency, Session #2, with 11 amazing artists, @gobbeldigook @dilrubatayfun @_gosha.studio @grace.makes @juliettevaissiere @lindsyhalleckson @studiolisalee @maya.brodsky @shengart18 @tbone10023 @yanabeylinson visiting mentor @chezdeleget , and visiting artist @aleah_chapin.

It was both my first time in Massachusetts and my very first residency, and Cuttyhunk Island felt nothing short of magical. Each day began with sunrise, a jog along the shore, and the sea breeze in the air. Days unfolded to the rhythm of waves and a sky of cerulean blue reflecting the ocean, while nights were filled with endless stars. Avalon, the historic home where we stayed, felt like both a grounding presence and a warm embrace.

The week was a constant mix of learning, adventure, and humility. I’m deeply grateful for the chance to share this experience with such generous, creative spirits. Though it passed quickly, it carried lasting weight—an experience that shifted something within me. I left with a stronger sense of my voice, courage, and the reminder of how trust, support, and encouragement can shape growth.

The residency staff/amazing artists @kevinfordpainter @aimeecharlesworth @claudinelopes.6 @deblm114 and Lisa cared for us with such kindness, treating us to incredible meals, while the Cuttyhunk community welcomed us with warmth—a wave, a greeting, a smile that made the island feel like home. The whole experience felt almost dreamlike, like returning to a grandmother’s house in the countryside, a place familiar yet entirely new.

I carry this time forward as a reminder of connection, bravery, and the joy of living fully in the moment.

Thank you @cuttyhunk_artists @mer_like @tamalinsoleil for inviting me 🙏🏼💗🌊🏝️☀️

From Sept 11–17, I joined the Cuttyhunk Island Fall Residency, Session #2, with 11 amazing artists, @gobbeldigook @dilrubatayfun @_gosha.studio @grace.makes @juliettevaissiere @lindsyhalleckson @studiolisalee @maya.brodsky @shengart18 @tbone10023 @yanabeylinson visiting mentor @chezdeleget , and visiting artist @aleah_chapin.

It was both my first time in Massachusetts and my very first residency, and Cuttyhunk Island felt nothing short of magical. Each day began with sunrise, a jog along the shore, and the sea breeze in the air. Days unfolded to the rhythm of waves and a sky of cerulean blue reflecting the ocean, while nights were filled with endless stars. Avalon, the historic home where we stayed, felt like both a grounding presence and a warm embrace.

The week was a constant mix of learning, adventure, and humility. I’m deeply grateful for the chance to share this experience with such generous, creative spirits. Though it passed quickly, it carried lasting weight—an experience that shifted something within me. I left with a stronger sense of my voice, courage, and the reminder of how trust, support, and encouragement can shape growth.

The residency staff/amazing artists @kevinfordpainter @aimeecharlesworth @claudinelopes.6 @deblm114 and Lisa cared for us with such kindness, treating us to incredible meals, while the Cuttyhunk community welcomed us with warmth—a wave, a greeting, a smile that made the island feel like home. The whole experience felt almost dreamlike, like returning to a grandmother’s house in the countryside, a place familiar yet entirely new.

I carry this time forward as a reminder of connection, bravery, and the joy of living fully in the moment.

Thank you @cuttyhunk_artists @mer_like @tamalinsoleil for inviting me 🙏🏼💗🌊🏝️☀️

I’m excited to share that my painting Black Iris will be on view @ddaatteelliinnee from October 3 – November 7. 🌙✨
If you’re in Denver, come by and see the show!

#DatelineGallery #BlackIris #PaintingExhibition

I’m excited to share that my painting Black Iris will be on view @ddaatteelliinnee from October 3 – November 7. 🌙✨
If you’re in Denver, come by and see the show!

#DatelineGallery #BlackIris #PaintingExhibition

🩵My painting Hydroxyzine is part of the exhibition, Folklore, @1800_g_cadd , and I’d love for you to see it in person.

📍 GCADD — 1822 State St, Granite City, IL
🗓 On view through 10/11
⏰ Saturdays 1–4pm or by appointment

🖼️Hydroxyzine
Oil on linen
16x16”
40.64x40.64 cm
2024

#stlouisart #folklore #gcadd

🩵My painting Hydroxyzine is part of the exhibition, Folklore, @1800_g_cadd , and I’d love for you to see it in person.

📍 GCADD — 1822 State St, Granite City, IL
🗓 On view through 10/11
⏰ Saturdays 1–4pm or by appointment

🖼️Hydroxyzine
Oil on linen
16x16”
40.64x40.64 cm
2024

#stlouisart #folklore #gcadd

My painting Dream is currently on view at @villageoneart ! 🌙✨ The show runs through 9/13—stop by if you’re in New York.

My painting Dream is currently on view at @villageoneart ! 🌙✨ The show runs through 9/13—stop by if you’re in New York.

Memento Mori, oil on linen, 48 x 48”/ 121.92 x 121.92cm, 2025

Memento Mori, oil on linen, 48 x 48”/ 121.92 x 121.92cm, 2025

I’m honored to share that I’ve been awarded an Artist Support Grant from the Regional Arts Commission (RAC)! 💫

This grant will support the creation of symbolic props, intentional settings, and experimental approaches that push my work into new conceptual and aesthetic directions. My goal is to expand conversations around identity, gender, and cultural hybridity while engaging audiences through exhibitions, talks, and digital documentation.

I’m deeply grateful to RAC for supporting artists and the broader St. Louis arts community—this opportunity will allow me to grow my practice and share these stories in meaningful ways. 🙏

#RACGrant #ArtistSupportGrant #FigurativePainting #OilPainting #StudioPractice #ArtCommunity #contemporaryart

I’m honored to share that I’ve been awarded an Artist Support Grant from the Regional Arts Commission (RAC)! 💫

This grant will support the creation of symbolic props, intentional settings, and experimental approaches that push my work into new conceptual and aesthetic directions. My goal is to expand conversations around identity, gender, and cultural hybridity while engaging audiences through exhibitions, talks, and digital documentation.

I’m deeply grateful to RAC for supporting artists and the broader St. Louis arts community—this opportunity will allow me to grow my practice and share these stories in meaningful ways. 🙏

#RACGrant #ArtistSupportGrant #FigurativePainting #OilPainting #StudioPractice #ArtCommunity #contemporaryart

Installation view of Folklore at G-CADD.

This show means so much to me—it’s my first major exhibition since my MFA show at the Kemper Museum in 2018.

For years, I struggled with my relationship to my art, often feeling a sense of dishonesty with my own work. That shifted last summer, when I began building this body of paintings. These works tell deeply personal stories—childhood memories, poems I’ve quietly carried with me since I was little, sources of comfort that I’ve finally shared. At the same time, they reveal me at my most vulnerable, often in the nude, which has been both daunting and liberating.

I’ve come to believe that the most genuine connections are built when we share our vulnerabilities. Through this work, I hope to create that kind of exchange with my audience.

Seeing Folklore installed in this beautiful space fills me with so much gratitude. Thank you to @mnightshyamalan69 and @1800_g_cadd for this opportunity, and to everyone who came out to the opening to support me. I feel recharged and inspired to keep exploring this journey. 🙏🏼💗

Installation view of Folklore at G-CADD.

This show means so much to me—it’s my first major exhibition since my MFA show at the Kemper Museum in 2018.

For years, I struggled with my relationship to my art, often feeling a sense of dishonesty with my own work. That shifted last summer, when I began building this body of paintings. These works tell deeply personal stories—childhood memories, poems I’ve quietly carried with me since I was little, sources of comfort that I’ve finally shared. At the same time, they reveal me at my most vulnerable, often in the nude, which has been both daunting and liberating.

I’ve come to believe that the most genuine connections are built when we share our vulnerabilities. Through this work, I hope to create that kind of exchange with my audience.

Seeing Folklore installed in this beautiful space fills me with so much gratitude. Thank you to @mnightshyamalan69 and @1800_g_cadd for this opportunity, and to everyone who came out to the opening to support me. I feel recharged and inspired to keep exploring this journey. 🙏🏼💗

My show Folklore is currently on view @1800_g_cadd 🌊☀️

I’ll be at the gallery today from 1–4pm — stop by if you haven’t seen the show yet!

My painting Driftwood is part of the exhibition, and I’d love for you to see it in person.

📍 GCADD — 1822 State St, Granite City, IL
🗓 On view through 10/11
⏰ Saturdays 1–4pm or by appointment

🖼️Driftwood
Oil on linen
46x46”
116.84x116.84cm
2025

#stlouisart #folklore #gcadd

My show Folklore is currently on view @1800_g_cadd 🌊☀️

I’ll be at the gallery today from 1–4pm — stop by if you haven’t seen the show yet!

My painting Driftwood is part of the exhibition, and I’d love for you to see it in person.

📍 GCADD — 1822 State St, Granite City, IL
🗓 On view through 10/11
⏰ Saturdays 1–4pm or by appointment

🖼️Driftwood
Oil on linen
46x46”
116.84x116.84cm
2025

#stlouisart #folklore #gcadd

Thank you everyone for coming to the show last Saturday 💗 I feel so supported and inspired!

If you didn’t get a chance to see it on opening night, the gallery is open Saturdays from 1–4pm. I’ll be there this Saturday—come say hi!

📍 GCADD, 1822 State St, Granite City, IL
🗓 Show runs through 10/11

Thank you everyone for coming to the show last Saturday 💗 I feel so supported and inspired!

If you didn’t get a chance to see it on opening night, the gallery is open Saturdays from 1–4pm. I’ll be there this Saturday—come say hi!

📍 GCADD, 1822 State St, Granite City, IL
🗓 Show runs through 10/11

🔥🌊✨ Folkelore at G-CADD ✨🌊🔥 I’m excited to share my body of work, Folkelore, alongside the amazing @matt.obj at @gcadd.
 📅 August 23 – October 11
📍 1822 State Street, Granite City, Illinois 🎉 Opening Reception: Saturday 8/23, 6–9pm — I’ll be there, so come say hi!

If you can’t make the opening, G-CADD is open Saturdays 1–4pm, or by appointment (DM/email me or contact G-CADD). 
About Folkelore: Folkelore explores identity in flux through quiet self-portraits in natural and imagined spaces. Set within symbolic landscapes, the works weave personal memory, cultural myth, and the complexities of the Asian diaspora. The figure—vulnerable yet grounded—moves through environments shaped by the interplay of nature and human experience, revealing moments of stillness, longing, and transformation. In this layered terrain, Folkelore becomes a meditation on diasporic identity, place, and the stories we carry in our bodies across borders and time.

🖼️Detail of Driftwood
Oil on linen
46x46”
116.84x116.84 cm
2025

Driftwood will be on view at G-CADD.

#artopening #exhibition #gcadd #folkelore #asianart #selfportraiture #diasporicart

🔥🌊✨ Folkelore at G-CADD ✨🌊🔥 I’m excited to share my body of work, Folkelore, alongside the amazing @matt.obj at @gcadd.
 📅 August 23 – October 11
📍 1822 State Street, Granite City, Illinois 🎉 Opening Reception: Saturday 8/23, 6–9pm — I’ll be there, so come say hi!

If you can’t make the opening, G-CADD is open Saturdays 1–4pm, or by appointment (DM/email me or contact G-CADD). 
About Folkelore: Folkelore explores identity in flux through quiet self-portraits in natural and imagined spaces. Set within symbolic landscapes, the works weave personal memory, cultural myth, and the complexities of the Asian diaspora. The figure—vulnerable yet grounded—moves through environments shaped by the interplay of nature and human experience, revealing moments of stillness, longing, and transformation. In this layered terrain, Folkelore becomes a meditation on diasporic identity, place, and the stories we carry in our bodies across borders and time.

🖼️Detail of Driftwood
Oil on linen
46x46”
116.84x116.84 cm
2025

Driftwood will be on view at G-CADD.

#artopening #exhibition #gcadd #folkelore #asianart #selfportraiture #diasporicart

My work Reminiscence will be on view at @villageoneart starting tonight!🧡
Sadly, I won’t be able to be there in person — but I hope you can check out this amazing show featuring so many talented artists.

📅 On View: 8/14 – 9/13
🎉 Opening Reception: Tonight, 8/14, 6–8pm
📍 VillageOne Art — 580 Broadway, Suite 905, New York, NY 10012

🖼️Reminiscence
Oil on linen
11x14”
27.94x35.56cm
2024

#artopening #groupshow #nycarts #villageoneart #paintingexhibition #contemporaryart

My work Reminiscence will be on view at @villageoneart starting tonight!🧡
Sadly, I won’t be able to be there in person — but I hope you can check out this amazing show featuring so many talented artists.

📅 On View: 8/14 – 9/13
🎉 Opening Reception: Tonight, 8/14, 6–8pm
📍 VillageOne Art — 580 Broadway, Suite 905, New York, NY 10012

🖼️Reminiscence
Oil on linen
11x14”
27.94x35.56cm
2024

#artopening #groupshow #nycarts #villageoneart #paintingexhibition #contemporaryart

My painting Black Iris is included in the group exhibition Terrestrial Fauna @82parris_ , curated by Raith.

📅 On view: 8/1–8/22
📍 82 Parris St, Portland, ME

Despite frequent displacements of the mind, the beings of the show are bound to the surface of the earth. Our illusions of flight and submersion fortify the shock of the concrete deaths of roadkill bodies, sleeping bodies, absent bodies, and so forth. Without following existential disillusionment, you might contextualize this show with purgatorial compassion for your fellow terrestrial fauna.

#BlackIris #82Parris #TerrestrialFauna #GroupExhibition #ContemporaryArt #Painting

My painting Black Iris is included in the group exhibition Terrestrial Fauna @82parris_ , curated by Raith.

📅 On view: 8/1–8/22
📍 82 Parris St, Portland, ME

Despite frequent displacements of the mind, the beings of the show are bound to the surface of the earth. Our illusions of flight and submersion fortify the shock of the concrete deaths of roadkill bodies, sleeping bodies, absent bodies, and so forth. Without following existential disillusionment, you might contextualize this show with purgatorial compassion for your fellow terrestrial fauna.

#BlackIris #82Parris #TerrestrialFauna #GroupExhibition #ContemporaryArt #Painting

I’m showing my painting Balance @thenook.stl , a curatorial project in a small St. Louis kitchen nook run by the amazing @ferris_muellerz

The show will be up 8/16–9/20 — you can DM or email to see it in person. 👀
Reception on 9/7 — we’re planning something fun, so stay tuned! 🧁

Balance was created specifically for this space. When I thought about the nook, I thought about my love of baking—and the space’s strange, portal-like quality. Once a practical spot for a landline phone, now an obsolete relic, it’s been transformed into an intimate venue for art. I wanted to mirror that transformation in my subject: a freshly made cupcake placed not on a plate or table, but directly on the grass. Both the cupcake and the nook live in unexpected contexts, balancing between the domestic and the uncanny.

🖼️Balance
Oil on linen
8x8”
20.32x20.32 cm
2025

#painting #art #figurativepainting #oilpainting #stlouisart #baking #contemporarypainting

I’m showing my painting Balance @thenook.stl , a curatorial project in a small St. Louis kitchen nook run by the amazing @ferris_muellerz

The show will be up 8/16–9/20 — you can DM or email to see it in person. 👀
Reception on 9/7 — we’re planning something fun, so stay tuned! 🧁

Balance was created specifically for this space. When I thought about the nook, I thought about my love of baking—and the space’s strange, portal-like quality. Once a practical spot for a landline phone, now an obsolete relic, it’s been transformed into an intimate venue for art. I wanted to mirror that transformation in my subject: a freshly made cupcake placed not on a plate or table, but directly on the grass. Both the cupcake and the nook live in unexpected contexts, balancing between the domestic and the uncanny.

🖼️Balance
Oil on linen
8x8”
20.32x20.32 cm
2025

#painting #art #figurativepainting #oilpainting #stlouisart #baking #contemporarypainting

Excited to share that several of my paintings are part of Thresholds, a group exhibition @villageoneart curated by @dandanqin85

This show brings together amazing contemporary artists — including Elise Coker, Alexandra Collins, Eric Diehl, Claire HarnEnz, Jarvis Hua, Nikki Mehle, Xinzi Luo, and myself — exploring the space where figuration meets abstraction. Expect cinematic scenes, bold patterns, photorealistic details, and surreal landscapes that invite you to step into new worlds through paint.

🗓 On view August 14 – September 13, 2025
📍 VillageOne Art, 150W 25th St, #403, New York, NY
🎉 Opening Reception: Thursday, August 14, 6–8PM

Would love for you to check it out!

#VillageOneArt #NYCArt #ContemporaryPainting #ChelseaGallery #ArtExhibition #FigurationAndAbstraction

Excited to share that several of my paintings are part of Thresholds, a group exhibition @villageoneart curated by @dandanqin85

This show brings together amazing contemporary artists — including Elise Coker, Alexandra Collins, Eric Diehl, Claire HarnEnz, Jarvis Hua, Nikki Mehle, Xinzi Luo, and myself — exploring the space where figuration meets abstraction. Expect cinematic scenes, bold patterns, photorealistic details, and surreal landscapes that invite you to step into new worlds through paint.

🗓 On view August 14 – September 13, 2025
📍 VillageOne Art, 150W 25th St, #403, New York, NY
🎉 Opening Reception: Thursday, August 14, 6–8PM

Would love for you to check it out!

#VillageOneArt #NYCArt #ContemporaryPainting #ChelseaGallery #ArtExhibition #FigurationAndAbstraction

Driftwood, oil on linen, 46 x 46” / 116.84 x 116.84cm, 2025

Driftwood, oil on linen, 46 x 46” / 116.84 x 116.84cm, 2025

✨ I’m thrilled to be part of Perfectly Fair at @rusha_co !✨
 A fairness-led art fair where every artist was literally drawn from a hat — no gatekeeping, no hierarchies — just great work, chosen by chance.

You can find me at Booth 4 alongside the amazing @christlstringer and @heatherjonesart 💥

🗓 July 19–20 ⏰ 12–7PM 📍 Rusha & Co, Los Angeles

Free entry, free bar, tacos on site 🌮 Come hang out and celebrate art, equity, and community!

🔲 Booths
1. Artists Artists  @artists_artists_  
2. Christl Stringer, Song Watkins Park, Heather Jones  @christlstringer / @songwatkinspark / @heatherjonesart  
3. Daniel Morowitz  @dm61889   
4. James Richards  @jamesmichaelrichards  
5. Kerrigan Clark  @kerriganclark  
6. Lynda Keeler  @lyndalax  
7. Michael Haight  @haight.space  
8. Nicole Basilone  @nicole_basilone  
9. Problems Printing  @problemsprinting  
10. The Pioneers (Founded and Directed by Saul Appelbaum)  @thepioneers.la  
11. Wade Kelly, Joel Izak Smith  @extremitease / @99burnout  
🔓 Lockers
1. Eliza Blakemore @elizablakemore  
2. Georgina Clapham @georgina.clapham  
3. Hannah Lupton Reinhard, Crystal Palace @hannahmontanna12346789 / @crystal___palace_  
4. Laela White @laelamakesstuff
5. Matthew Noblisse @mustard.biz

✨ I’m thrilled to be part of Perfectly Fair at @rusha_co !✨
 A fairness-led art fair where every artist was literally drawn from a hat — no gatekeeping, no hierarchies — just great work, chosen by chance.

You can find me at Booth 4 alongside the amazing @christlstringer and @heatherjonesart 💥

🗓 July 19–20 ⏰ 12–7PM 📍 Rusha & Co, Los Angeles

Free entry, free bar, tacos on site 🌮 Come hang out and celebrate art, equity, and community!

🔲 Booths
1. Artists Artists  @artists_artists_  
2. Christl Stringer, Song Watkins Park, Heather Jones  @christlstringer / @songwatkinspark / @heatherjonesart  
3. Daniel Morowitz  @dm61889   
4. James Richards  @jamesmichaelrichards  
5. Kerrigan Clark  @kerriganclark  
6. Lynda Keeler  @lyndalax  
7. Michael Haight  @haight.space  
8. Nicole Basilone  @nicole_basilone  
9. Problems Printing  @problemsprinting  
10. The Pioneers (Founded and Directed by Saul Appelbaum)  @thepioneers.la  
11. Wade Kelly, Joel Izak Smith  @extremitease / @99burnout  
🔓 Lockers
1. Eliza Blakemore @elizablakemore  
2. Georgina Clapham @georgina.clapham  
3. Hannah Lupton Reinhard, Crystal Palace @hannahmontanna12346789 / @crystal___palace_  
4. Laela White @laelamakesstuff
5. Matthew Noblisse @mustard.biz

Baby Face, oil on linen, 10 x 10” / 25.4 x 25.4cm, 2025

Baby Face, oil on linen, 10 x 10” / 25.4 x 25.4cm, 2025

Hard to Find, oil on linen, 8x8” / 20.32 x 20.32cm, 2025

Hard to Find, oil on linen, 8x8” / 20.32 x 20.32cm, 2025

Baby Teeth, oil on linen, 8x8” / 20.32 x 20.32cm, 2025

Baby Teeth, oil on linen, 8x8” / 20.32 x 20.32cm, 2025

Quinacridone Magenta Gaze, oil on linen, 8x11” / 20.32 x 27.94 cm, 2025

Quinacridone Magenta Gaze, oil on linen, 8x11” / 20.32 x 27.94 cm, 2025

Posted @withregram • @fieldprojects Song Watkins Park / Dream / 2025 / Oil on linen ⁠
54’’ x 40”⁠
@songwatkinspark
⁠
EVENT HORIZON⁠
ONLINE EXHIBITION⁠
Curated by David Rios Ferreira @davidriosart , Jacob Rhodes @jacobrhodes74 , William Chan @ __william__chan , Jialei Cici Liu⁠ @elementeightyeight⁠
Online Companion Show to Event Horizon⁠
⁠
Featuring: ⁠
Albert Justiniano @albert.justiniano
Brian Knoerzer @brkzer
Clara Rubin @clararubin_⁠
Corrine Yonce @corrine_yonce⁠
Cynthia Yi Chen @yicynthiachen⁠
Dana Stirling @dana_stirling⁠
Elina Ansary @e.m.ansary⁠
Erin Juliana @erinjuliana.art⁠
Hector Membreno-Canales @iamHectorRene⁠
Ida Owens @idaowensart⁠
Jessica Lever @jessicaslever⁠
Jonathan Yubi @jonathanyubi⁠
Lauren Hana Chai @laurenhanachai⁠
Mary Hayes @maryhayes_⁠
Nick Mittelstead @nickmittelstead⁠
Patricia Baloyo @pats_passions⁠
Sarah Valeri @sarahvaleriart⁠
Song Watkins Park @songwatkinspark

Posted @withregram • @fieldprojects Song Watkins Park / Dream / 2025 / Oil on linen ⁠
54’’ x 40”⁠
@songwatkinspark
⁠
EVENT HORIZON⁠
ONLINE EXHIBITION⁠
Curated by David Rios Ferreira @davidriosart , Jacob Rhodes @jacobrhodes74 , William Chan @ __william__chan , Jialei Cici Liu⁠ @elementeightyeight⁠
Online Companion Show to Event Horizon⁠
⁠
Featuring: ⁠
Albert Justiniano @albert.justiniano
Brian Knoerzer @brkzer
Clara Rubin @clararubin_⁠
Corrine Yonce @corrine_yonce⁠
Cynthia Yi Chen @yicynthiachen⁠
Dana Stirling @dana_stirling⁠
Elina Ansary @e.m.ansary⁠
Erin Juliana @erinjuliana.art⁠
Hector Membreno-Canales @iamHectorRene⁠
Ida Owens @idaowensart⁠
Jessica Lever @jessicaslever⁠
Jonathan Yubi @jonathanyubi⁠
Lauren Hana Chai @laurenhanachai⁠
Mary Hayes @maryhayes_⁠
Nick Mittelstead @nickmittelstead⁠
Patricia Baloyo @pats_passions⁠
Sarah Valeri @sarahvaleriart⁠
Song Watkins Park @songwatkinspark

Balance, oil on linen, 8x8” / 20.32 x 20.32cm

Balance, oil on linen, 8x8” / 20.32 x 20.32cm

My painting “Dream” has been featured in the online exhibition Event Horizon at Field Projects Gallery @fieldprojects , curated by David Rios Ferreira @davidriosart . The exhibition is live now online — it opened on June 12, 2025, and runs through July 5, 2025.

Discover the exhibition and learn more here: https://www.fieldprojectsgallery.com/event-horizon-online

🔗 Also find the link in bio

Truly honored to be included in this exhibition alongside so many incredible artists! Thank you to David Rios Ferreira and the Field Projects team 🙏💫

My painting “Dream” has been featured in the online exhibition Event Horizon at Field Projects Gallery @fieldprojects , curated by David Rios Ferreira @davidriosart . The exhibition is live now online — it opened on June 12, 2025, and runs through July 5, 2025.

Discover the exhibition and learn more here: https://www.fieldprojectsgallery.com/event-horizon-online

🔗 Also find the link in bio

Truly honored to be included in this exhibition alongside so many incredible artists! Thank you to David Rios Ferreira and the Field Projects team 🙏💫

Details of Fate

Details of Fate

Prussian Blue Gaze, oil on linen, 8x11” / 20.32 x 27.94 cm

Prussian Blue Gaze, oil on linen, 8x11” / 20.32 x 27.94 cm

Fate, oil on linen, 54x40” / 137.16 x 101.6cm, 2025

Fate, oil on linen, 54x40” / 137.16 x 101.6cm, 2025

🌸 Grateful to have shared my work at this year’s SPRING/BREAK Art Show🌸🐦
@springbreakartshow

I’m offering the works I exhibited at the fair for sale online through August 1, 2025 at 11:59pm EST.

Everything that was available in person is still up on springbreakartfair.com. You can explore and purchase the works in my collection — the link’s in my bio.

Thanks for being part of this experience and for supporting artists in all the ways you do 💫✨

🖼️Folklore
oil on linen
16 x 16”
40.64 x 40.64cm
2024

#springbreakartshow #springbreakartshownyc #artforsale #emerginartist #supportlivingartists

🌸 Grateful to have shared my work at this year’s SPRING/BREAK Art Show🌸🐦
@springbreakartshow

I’m offering the works I exhibited at the fair for sale online through August 1, 2025 at 11:59pm EST.

Everything that was available in person is still up on springbreakartfair.com. You can explore and purchase the works in my collection — the link’s in my bio.

Thanks for being part of this experience and for supporting artists in all the ways you do 💫✨

🖼️Folklore
oil on linen
16 x 16”
40.64 x 40.64cm
2024

#springbreakartshow #springbreakartshownyc #artforsale #emerginartist #supportlivingartists

It’s the FINAL DAY of SPRING/BREAK Art Show NYC 2025 @springbreakartshow — open today from 12–7pm, and I’m honored to be part of this year’s Solo Artist Spotlight 🌿

My booth, titled “Folklore,” is part of this year’s theme: Paradise Lost + Found.

In my work, paradise isn’t a perfect place—it’s a state of mind. I explore it through memory, identity, and reflection, especially shaped by growing up in Korea and living in the U.S. My perspective is rooted in the Asian diaspora—navigating belonging, distance, and transformation across cultures and time. The natural and empty spaces I paint aren’t just settings—they’re symbolic landscapes where memories live, where fear and curiosity coexist, and where meaning is shaped by what we carry with us.

Much of what I’m reaching for is a kind of lost paradise: childhood imagination, cultural stories, and internal quiet that once felt endless. Through painting myself nude—without adornment or externally imposed narratives—I reclaim the body as a site of introspection and strength. That too, is paradise: a return to self, on my own terms.

Color becomes the language of this inner world. Cool tones speak to distance and longing. Warm tones to vitality and searching. Paradise, in my work, is often complex, even bittersweet—but always personal. Always human.

Come see “Folklore” today before the show closes!

And don’t miss our FINAL HAPPY HOUR from 5–7pm:

🎟️ $10 tickets at the door
🍸 Discounted drinks at bars
🛍️ Never-before-seen merch available

🖼️Imposter
oil on linen
24 x 24”
60.96 x 60.96 cm
2024

@ambrekelly @andrewgoriandfriends
#springbreakartshow #springbreakartshownyc #springbreakartshow2025
#paradiselostandfound

It’s the FINAL DAY of SPRING/BREAK Art Show NYC 2025 @springbreakartshow — open today from 12–7pm, and I’m honored to be part of this year’s Solo Artist Spotlight 🌿

My booth, titled “Folklore,” is part of this year’s theme: Paradise Lost + Found.

In my work, paradise isn’t a perfect place—it’s a state of mind. I explore it through memory, identity, and reflection, especially shaped by growing up in Korea and living in the U.S. My perspective is rooted in the Asian diaspora—navigating belonging, distance, and transformation across cultures and time. The natural and empty spaces I paint aren’t just settings—they’re symbolic landscapes where memories live, where fear and curiosity coexist, and where meaning is shaped by what we carry with us.

Much of what I’m reaching for is a kind of lost paradise: childhood imagination, cultural stories, and internal quiet that once felt endless. Through painting myself nude—without adornment or externally imposed narratives—I reclaim the body as a site of introspection and strength. That too, is paradise: a return to self, on my own terms.

Color becomes the language of this inner world. Cool tones speak to distance and longing. Warm tones to vitality and searching. Paradise, in my work, is often complex, even bittersweet—but always personal. Always human.

Come see “Folklore” today before the show closes!

And don’t miss our FINAL HAPPY HOUR from 5–7pm:

🎟️ $10 tickets at the door
🍸 Discounted drinks at bars
🛍️ Never-before-seen merch available

🖼️Imposter
oil on linen
24 x 24”
60.96 x 60.96 cm
2024

@ambrekelly @andrewgoriandfriends
#springbreakartshow #springbreakartshownyc #springbreakartshow2025
#paradiselostandfound

✨Feeling so grateful to be the Solo Artist Spotlight at SPRING/BREAK Art Show NYC 2025! ✨ @springbreakartshow

Only 3 days left to experience this magical show so full of good vibes, love, and support. 💫

Big thanks to Andrew @andrewgoriandfriends and Ambre @ambrekelly for curating and making this all happen! 💖

You can find me at Booth F5—come say hi and chat! 🌸🌈

📸 Samuel Morgan Photography, SPRING/BREAK Art Show New York 2025 @sammysachs
📍75 Varick St, NYC
🎟️ Ticket is available in my bio

✨Feeling so grateful to be the Solo Artist Spotlight at SPRING/BREAK Art Show NYC 2025! ✨ @springbreakartshow

Only 3 days left to experience this magical show so full of good vibes, love, and support. 💫

Big thanks to Andrew @andrewgoriandfriends and Ambre @ambrekelly for curating and making this all happen! 💖

You can find me at Booth F5—come say hi and chat! 🌸🌈

📸 Samuel Morgan Photography, SPRING/BREAK Art Show New York 2025 @sammysachs
📍75 Varick St, NYC
🎟️ Ticket is available in my bio

It’s been a surreal (in a good way!) few days at SPRING/BREAK Art Show, surrounded by so many talented artists.

I had the pleasure of speaking with Tori from The Art Newspaper, and our conversation is featured in the article “Critters Skitter All Over Spring/Break Art Fair.” 📰 Huge thanks, @gertnice_gertrude @theartnewspaper.official

Check it out to learn more about my work and the fair!

🌸SPRING/BREAK Art Show NYC 2025 (5/6 - 5/12) @springbreakartshow
📍75 Varick Street NYC
🎟️ ticket link in bio

@andrewgoriandfriends @ambrekelly #springbreakartshow #springbreakartshownyc #paradiselostandfound #springbreakartshow2025

It’s been a surreal (in a good way!) few days at SPRING/BREAK Art Show, surrounded by so many talented artists.

I had the pleasure of speaking with Tori from The Art Newspaper, and our conversation is featured in the article “Critters Skitter All Over Spring/Break Art Fair.” 📰 Huge thanks, @gertnice_gertrude @theartnewspaper.official

Check it out to learn more about my work and the fair!

🌸SPRING/BREAK Art Show NYC 2025 (5/6 - 5/12) @springbreakartshow
📍75 Varick Street NYC
🎟️ ticket link in bio

@andrewgoriandfriends @ambrekelly #springbreakartshow #springbreakartshownyc #paradiselostandfound #springbreakartshow2025

I’m happy to share that one of my works that I made during the Covid lockdown will be part of AAPI Voices: Stories from St. Louis at Cecille R. Hunt Gallery at Webster University! @websteru

This exhibition highlights artifacts, photos, and artwork from 17 individuals of Asian American & Pacific Islander descent celebrating the rich heritage and diversity of our community here in the Midwest.

The show runs 5/9–5/17, with a public opening on 5/9 from 6–8pm.

I won’t be able to make it to the opening, but
if you’re in town, I’d love for you to visit and support all the incredible AAPI artists!

📍Cecille R. Hunt Gallery
8342 Bigbend Blvd, Webster Groves, MO

🖼️Just4fun.jpg
Oil on canvas
11x14” / 27.94x35.56 cm
2020

I’m happy to share that one of my works that I made during the Covid lockdown will be part of AAPI Voices: Stories from St. Louis at Cecille R. Hunt Gallery at Webster University! @websteru

This exhibition highlights artifacts, photos, and artwork from 17 individuals of Asian American & Pacific Islander descent celebrating the rich heritage and diversity of our community here in the Midwest.

The show runs 5/9–5/17, with a public opening on 5/9 from 6–8pm.

I won’t be able to make it to the opening, but
if you’re in town, I’d love for you to visit and support all the incredible AAPI artists!

📍Cecille R. Hunt Gallery
8342 Bigbend Blvd, Webster Groves, MO

🖼️Just4fun.jpg
Oil on canvas
11x14” / 27.94x35.56 cm
2020

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@songwatkinspark

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